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Mystery Series
Where? When? How? Why? More and more questions as the police enquiry progresses. With this album Guy and Elisabeth Skornik provide the answers/ Violin Christophe Guiot/ Cello Jean-Philippe Audin/ bassoon Gilbert Audin/ digital mix Jérémie Skornik/ mixed by Stéphane Reichart at Oméga Studio/ mastering Maël Vallin.
| Álbum | Título | Alt.. | Duração | compositor / artista | Descrição | Palavras chaves | Key | BPM |
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Who Knows Who? [CEZ4252 - 1] |
1 | 2'09 | Elisabeth Skornik, Guy Skornik | Intriguing, mysterious & sparse. Paino, sound design, strings @ 0'55 ... | misterioso narrativo suspense interrogativo ... | Gbm | 115 |
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Who Knows Who? 2 [CEZ4252 - 20] |
0 | 2'07 | Elisabeth Skornik, Guy Skornik | Mysterious, minimalist & sparse. Piano & sound design. | misterioso suspense despojado interrogativo ... | Gbm | 114 |
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Who Knows Why? [CEZ4252 - 2] |
0 | 2'07 | Elisabeth Skornik, Guy Skornik | Tense, regular & urgent. Electronics & piano. | espionagem trilha sonora constante Créditos de TV ... | Gb | 115 |
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Hypothesis [CEZ4252 - 3] |
1 | 2'35 | Elisabeth Skornik, Guy Skornik | Tense, regular & serious. Electronics & piano. | loop conflito armado teimoso política ... | Cm | 120 |
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Hypothesis 2 [CEZ4252 - 21] |
0 | 2'10 | Elisabeth Skornik, Guy Skornik | Tense, constant & serious. Electronics & piano. | loop conflito armado teimoso política ... | Cm | 120 |
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Alternate Hypothesis [CEZ4252 - 4] |
0 | 2'20 | Elisabeth Skornik, Guy Skornik | Mysterious & worrying. Regular pulsation. Electronics, percussion & ... | Marcato teimoso Filme policial perturbardor ... | C | 120 |
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Turning Back the Time [CEZ4252 - 5] |
1 | 2'32 | Elisabeth Skornik, Guy Skornik | Emotionnal & passionate. Strings & electronics. | drama social emotivo ficção documental synth pad ... | Cm | 60 |
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Turning Back the Time 2 [CEZ4252 - 22] |
0 | 2'30 | Elisabeth Skornik, Guy Skornik | Emotional & passionate. Regular pulsation, guitar, backwards fx @ ... | drama social emotivo ficção documental sentimental ... | Cm | 60 |
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The Story Line [CEZ4252 - 6] |
1 | 2'22 | Elisabeth Skornik, Guy Skornik | Obstinate, cyclic & serious. Electronics & piano @ 0'43. | tempo (tic-tac) misterioso cíclico Filme policial ... | Cm | 140 |
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The Story Line 2 [CEZ4252 - 23] |
0 | 2'08 | Elisabeth Skornik, Guy Skornik | Obstinate & serious. Electronics & piano @ 0'30. | teimoso Filme policial misterioso urgente ... | Cm | 93 |
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Another Story Line [CEZ4252 - 7] |
2 | 1'41 | Elisabeth Skornik, Guy Skornik | Cyclic & serious. Staccato strings. | música neoclássica quarteto de cordas staccato cíclico ... | Cm | 140 |
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Another Story Line 2 [CEZ4252 - 24] |
0 | 2'22 | Elisabeth Skornik, Guy Skornik | Obstinate, cyclic & serious. Piano & staccato strings @ 0'28. | música neoclássica quarteto de cordas cíclico filme corporativo ... | Cm | 140 |
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Another Story Line 3 [CEZ4252 - 25] |
0 | 1'45 | Elisabeth Skornik, Guy Skornik | Obstinate, intermittent & serious. Piano & percussion @ 0'27. | música neoclássica misterioso cíclico interrompido ... | Cm | 140 |
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Stand by the Truth [CEZ4252 - 8] |
1 | 2'22 | Elisabeth Skornik, Guy Skornik | Questionning & reflective. Synth pads with constant bass line, piano ... | misterioso investigação errante atmosférico ... | G | 109 |
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Stand By The Truth 2 [CEZ4252 - 26] |
0 | 2'12 | Elisabeth Skornik, Guy Skornik | Questioning & reflective. Synth pads with constant bass line, choir, ... | misterioso investigação errante atmosférico ... | G | 109 |
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Public Opinion [CEZ4252 - 9] |
1 | 2'45 | Elisabeth Skornik, Guy Skornik | Tense & insidious. Electronics & pizzicato strings. | misterioso Filme policial interrogativo filme corporativo ... | Fm | 162 |
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Public Opinion 2 [CEZ4252 - 27] |
0 | 2'35 | Elisabeth Skornik, Guy Skornik | Tense, suspended & uncertain. Electronics & treated strings with ... | misterioso Filme policial interrogativo cíclico ... | F | 161 |
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At the Crossroads [CEZ4252 - 10] |
1 | 2'12 | Elisabeth Skornik, Guy Skornik | Disturbing & questioning. Electronics & strings @ 0'58. | investigação misterioso Filme policial drama social ... | Cm | 90 |
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At the Crossroads 2 [CEZ4252 - 28] |
0 | 2'38 | Elisabeth Skornik, Guy Skornik | Disturbing & questioning. Electronics, sound design @ 0'42 & strings ... | investigação misterioso Filme policial drama social ... | Cm | 90 |
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Confidential Information [CEZ4252 - 11] |
0 | 2'25 | Elisabeth Skornik, Guy Skornik | Obstinate, mysterious & interrogative. Electronics & pizzicato ... | artesanato paciente política teimoso ... | Gm | 98 |
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Shocking Information [CEZ4252 - 12] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Percussive & punctuated. Electronics, sequence & piano @ 0'50. | Marcato pesado conflito armado ficção documental ... | Gm | 98 |
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Deep Down Inside [CEZ4252 - 13] |
1 | 2'28 | Guy Skornik, Elisabeth Skornik | Obstinate, patient & classy. Staccato strings & electronics. | artesanato com classe filme corporativo música neoclássica ... | Cm | 124 |
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Deep Down Inside 2 [CEZ4252 - 29] |
0 | 1'42 | Elisabeth Skornik, Guy Skornik | Obstinate, mysterious & mischievous. Bassoon & strings. | artesanato com classe filme corporativo música neoclássica ... | Cm | 125 |
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Spreading Rumors [CEZ4252 - 14] |
0 | 2'44 | Elisabeth Skornik, Guy Skornik | Urgent & mysterious. Séquence, string pad & piano. | indústria misterioso filme corporativo interrogativo ... | Cm | 120 |
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Persistent Rumors [CEZ4252 - 15] |
2 | 2'43 | Elisabeth Skornik, Guy Skornik | Panoramic, airy & worrying. String pad & piano. | atmosférico suspenso tranquilo mar aberto ... | Cm | 119 |
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Persistent Rumors 2 [CEZ4252 - 30] |
0 | 2'37 | Elisabeth Skornik, Guy Skornik | Panoramic & airy. Strings nappe. Underscore. | synth pad atmosférico música neoclássica tranquilo ... | Eb | 111 |
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Persistent Rumors 3 [CEZ4252 - 31] |
0 | 2'27 | Elisabeth Skornik, Guy Skornik | Sparse & intermittent. Solo piano. Echo fx. | despojado fx reverb tranquilo interrompido ... | Eb | 118 |
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Behind The Scenes [CEZ4252 - 16] |
1 | 2'31 | Elisabeth Skornik, Guy Skornik | Interrogative & continuous. Electronics, piano @ 0'39 & strings @ ... | fx rebobinando calmo design e arquitetura filme corporativo ... | D | 104 |
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Behind the Scenes 2 [CEZ4252 - 32] |
0 | 2'12 | Elisabeth Skornik, Guy Skornik | Powerful & continuous. Rhythm, electronics & piano @ 0'37. Underscore. | rítmico filme corporativo neutro poderoso e imponente ... | D | 104 |
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According to the Evidence [CEZ4252 - 17] |
1 | 2'31 | Elisabeth Skornik, Guy Skornik | Reflective, interrogative & discontinuous. Electronics, rhythm & ... | misterioso espionagem interrogativo tímido ... | Cm | 100 |
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According to the Evidence 2 [CEZ4252 - 33] |
0 | 2'32 | Elisabeth Skornik, Guy Skornik | Tense, interrogative, continuous & punctuated. Electronics. ... | investigação misterioso trilha sonora Marcato ... | C | 100 |
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Top Secret [CEZ4252 - 18] |
1 | 2'40 | Elisabeth Skornik, Guy Skornik | Suspense, intriguing & insidious. Electronics. Strings & brass @ ... | misterioso urbano investigação espionagem ... | Eb | 62 |
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Top Secret 2 [CEZ4252 - 34] |
0 | 1'52 | Elisabeth Skornik, Guy Skornik | Urgent, weird & intriguing. Electronics. Build up gradually. | Marcato Filme policial pesado misterioso ... | Bbm | 124 |
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Hidden Mystery [CEZ4252 - 19] |
1 | 2'49 | Elisabeth Skornik, Guy Skornik | Weird, mysterious & linear. Electronics, sound design & strings. | investigação paranormal drama social espionagem ... | Am | 96 |
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Hidden Mystery 2 [CEZ4252 - 35] |
0 | 2'49 | Elisabeth Skornik, Guy Skornik | Strange, mysterious & linear. Electronics, sound design & strings. ... | fx rebobinando instável suspense caótico ... | Am | 96 |
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