Letras ... Traditional American ballad of the late 19th century originating from ...Traditional American ballad of the late 19th century originating from South Appalachian area also known as Black Girl or My Girl. "In the pines, in the pines, where the sun never shines, And you shiver when the cold winds blow". Male country singer, double-bass, slide dobro, banjo & e-bow guitar @ 0'54. Instrumental tr-21 & 22.
Chorus
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Verse 1
Little girl, little girl, what have I done That makes you treat me so? You caused me to weep, you caused me to mourn And you caused me to leave my home
Chorus
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Verse 2
The longest train I ever saw Came down that Georgia line The engine passed at six o'clock And the cab came by at nine
Chorus
In the pines, in the pines Where the sun never shines And we shiver when the cold winds blow
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Letras ... Well-known 19th century minstrel folksong composed by Stephen Foster. ...Well-known 19th century minstrel folksong composed by Stephen Foster. "Oh, Susanna, Don't you cry for me, ‘Cause I come from Alabama with the banjo on my knee...". Male country singer, guitare, banjo, slide dobro & rythmique. Instrumental tr-28 & 29.
Verse 1 Well I come from Alabama with a banjo on my knee I'm bound for Louisiana, my own true love for to see It rained all night the day I left The weather it was dry Sun so hot I froze to death Susanna, don't you cry
Chorus Oh, Susanna Don't you cry for me ‘Cause I come from Alabama with the banjo on my knee
Verse 2 I had a dream the other night When everything was still I dreamed I saw my girl Susanne She was coming around the hill
The buckwheat cake was in her mouth A tear was in her eye I said I come from Dixie girl Suzanna, don't you cry
Chorus Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with the banjo on my knee Yeah Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with this banjo on my knee
Words & Music by Stephen Foster (D.P) Arrangement by Manuel Galvin & Jean-Jacques Milteau
Letras ... Hip-hop. Intro with synth strings & pads. Proud, unifying & catchy. ...Hip-hop. Intro with synth strings & pads. Proud, unifying & catchy. Rapper, synth & drum machine. Suggested for sport training & team sport.
[Hook]I’ve been feeling so blessedI’ve been earning my respectI’ve been feeling so good and irritated far lessI’ve been feeling so blessedI ain’t even been stressedIt’s time to speak my mindGet it off my chest [Verse]I’m feeling like I’m the bestSo far ahead of the restIt’s time to speak my mindLet me get it off my chestI ain’t holding nothing backFeeling good sitting in the backWe ain’t with all the nonsenseWe just trying to relax [Bridge]RelaxWe just trying to relaxRelaxWe just trying to relax [Hook]I’ve been feeling so blessedI’ve been earning my respectI’ve been feeling so good and irritated far lessI’ve been feeling so blessedI ain’t even been stressedIt’s time to speak my mindGet it off my chest [Verse 2]Know what is like to be a messSometimes you got to reflectI’m always thinking half fullThat’s the way I projectI’m always creating my peaceThen after that I protect itThis our life is so preciousA loss to us is a lesson [Bridge]LessonA loss to us is a lessonLessonA loss to us as a lesson [Hook]I’ve been feeling so blessedI’ve been earning my respectI’ve been feeling so good and irritated far lessI’ve been feeling so blessedI ain’t even been stressedIt’s time to speak my mindGet it off my chestI’ve been feeling so blessedI’ve been earning my respectI’ve been feeling so good and irritated far lessI’ve been feeling so blessedI ain’t even been stressedIt’s time to speak my mindGet it off my chest
French pop & film music from the 70s. Retro, charming, carefree & ...French pop & film music from the 70s. Retro, charming, carefree & sentimental. Piano, acoustic & rhythm guitar. Break with flute @1'17. Female vocal @1'43. Suggested for 70s movies, everyday life & romance.
Letras ... Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & ...Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & catchy. Exotic & danceable. Sung in Spanish. Male singers, drum machine, brass & Latin percussion.
ES:
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Va a empezar
Así que todo el mundo pa' la fiesta
Que ya llegaron ya
Los que son
Causantes de que tu cuerpo se mueva
Sin que lo puedas controlar
Seguro de que ya tu los conoces
Te gusta tanto que ya no lo puedes negar
La rumba esta planeada pa las doce
Pa' que goces toda la madruga'
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Vamo' a dejar los puntos claros
Cuando llegamos sabes que la discoteca la cerramos
Que ya tu viste como andamo'
Porque a la larga o a la corta con mi combo te agarramos
Prepárate que llegaron los reyes del mambo
Con algo diferente a lo que estas buscando
Yo se lo que tu quiere, te estamo' esperando
Te mando la location y cuando
Mami que paso
Ya viene Stan de Boogaloo
Y mas atrás le caigo yo
Se que te gustan los dos
Agarrate que el team te cogió
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Stan de Boogaloo, la musical
EN:
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
It's about to start
So everybody get ready to party
Cause they' re already here
The ones that are
Causing your body to move
You can't control it
Surely you already know them
You like it so much that you can't deny it
The party's planned for twelve o'clock
So that you can enjoy till the early morning
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Let's make our points clear
When we arrive you know that we close the club
you've seen how we go
Cause in the long or the short run with my combo we'll get you
Get ready the mambo kings have arrived
With something different than what you're looking for
I know what you want, we are waiting for you
I send you the location and the time
Mami what happened
Stan from Boogaloo is coming
And further back it' ll be me
I know you like both of us
Hold on cause the team's got you
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Stan from Boogaloo, the musical
Instrumental. Modern mambo. Salsaton on a reggaeton mood. Punchy, ...Instrumental. Modern mambo. Salsaton on a reggaeton mood. Punchy, festive & catchy. Exotic & danceable. Drum machine, brass & Latin percussion.
The clouds on the mountain have almost dissipated
The clouds in the sky have almost dissipated
Wandering people still have some way to go
People in the wall will turn off the lights
The eyes with desire staring at me
My heartbeat sounds lower.
The more you hope, the harder you fall
The more alert you, the more you indulge
lonely and completely, like a pupa
Infiltrating the moist silence in this night
lonely and completely, like a pupa
Wearing the shadow of yesterday.
Letras ... Cold wave, post-punk & 80's. Interrogative, patient & dark. Malle ...Cold wave, post-punk & 80's. Interrogative, patient & dark. Malle singer, male back up vocalist, distorted electric bass, electric guitar, synth & rhythm.
Never Let Me Down AgainStay with Me
Take me away take me away from you Trying to pretend I just can’t do it I know you feel the same, I know you feel the same don’t you ? Never let me down again or I kill you
What I’m trying to say what I’m trying to say is true Never let me down again or I kill you I don’t understand I don’t understand why you I’m trying to pretend That I am a fool
Letras ... Post-punk revival / electro pop with a 80's vibe. Nervous, dark & ...Post-punk revival / electro pop with a 80's vibe. Nervous, dark & implacable. Intro with bass, synth, male singer @ 0'51 & rhythm.
I’ve seen the crowd goes wildWhose side are you onCause you‘re holdin’ me downMy blood runs on the ground Give your leaders each a gunI am a coward nowCause you’re holdin’ me down
Instrumental alternate. Post-punk revival / electro pop with a 80's ...Instrumental alternate. Post-punk revival / electro pop with a 80's vibe. Instrumental. Energetic, steady & classy. Electric guitar & rhythm.
Letras ... 80's. Pop song. Soulful, simple & uplifting. Male singer, claps, ...80's. Pop song. Soulful, simple & uplifting. Male singer, claps, synth & rhythm.
I know it's raining tonightAnd even if it's cold outsideYou're not aloneYou're not aloneI know it's raining BabyAnd even if it's cold tonightYou're not alone
Just let me take you downTake you downJust let me take you downTake you downJust let me take you downJust let me take you downTake you downTake
Letras ... 80's. Pop song. Nocturnal, decided & moving. Male singer, choir, ...80's. Pop song. Nocturnal, decided & moving. Male singer, choir, synth & rhythm.
Feeling lost in this lonely world you never, listened to meEverything we do we do for a reason but it’s never for freeJust like that like a bolt from the blue you’re thinking what’s happened to meEverything you’ve done and all that you’ve become has disappeared Ooh, I’m nothing baby, without your loveOoh ooh, the way I feel, oh you’re coming homeYou’re coming home Ooh, I’m nothing baby, without your loveOoh ooh, the way I feel, oh you’re coming homeYou’re coming home I was lost but now, I’m found
As i watch those pictures of youThey really turn me onIf i try i’ll never give youYou really turn me on On and on you turn me onSince you’re gone i feel so lonelyNever try another thing to doHear my song i tried to longI’ve been so cold i feel so lonelyTry to be a lonely girl like you As i watch those pictures of youThey really turn me onIf i try i’ll never give youYou really turn me on On and on you turn me onSince you’re gone i feel so lonelyNever try another thing to doHear my song i tried to longI’ve been so cold i feel so lonelyTry to be a lonely girl like you
-On va faire un tour?-Moi j’vais m’baigner elle est bonne.-Oh y’a un beau magasin de souvenirs ici!-On s’met pépère on s’met à l’aise!-Y’a un magasin de gaufres un magasin de chichis…-C’est pas tous les jours qu’on peut en profiter hein!-Moi je prépare le barbeuc.
On va boire un coup?On s’mange un truc?On va boire un coup?On s’mange un truc.
-On s’balade on r’garde les menus-On s’écoute un peu d’musique?-Moi j’vais faire du thé, qui qu’en veut?-Il sent trop bon ton gâteau maman!
On va boire un truc?On s’mange une crêpe?On va boire un coup?On s’mange un truc.On va boire un truc?On s’mange une crêpe?On va boire un coup?J’vous paie un truc, j’vous paie un truc.
Letras ... Dynamic, but relax & sensual. Fx filter. Sampled female voice, ...Dynamic, but relax & sensual. Fx filter. Sampled female voice, electric keyboard & rhythm.
Vous avez choisi? Caviar d’aubergines, betteraves, Oeuf mayonnaise, choux rouges, Nems crevettes, salade, Beignets d’oignons,Terrine de foie de lapin, Melon, tartar de saumon, Assiette de crudités, Salade de tomates, Avocats. Escalope normande, poulet Tandoori, Confit de canard, épinards hachés, Foie gras poilé, mijoté de boeuf,Entrecôte bien grillée, côtes de porc, Tarte aux poireaux, poulet au curry, Dorade royale, crêpes ou soupe. Euh… qu’est-ce que je prends? Tarte mirabelle, crumble aux pommes,Crème aux oeufs, cannelés, Sorbets cassis, crème brûlée, Sorbet passion, sorbet framboise, Pain perdu, mille-feuilles, Salade de fruits, tiramisu, Crème au chocolat, mousse au chocolat, Tarte Tatin ou tarte abricots. Bah, y’a pas de boisson?
Dynamic, but relax & sensual. Fx filter. Sampled female voice, ...Dynamic, but relax & sensual. Fx filter. Sampled female voice, electric keyboard & rhythm.
50%45%40%35%30%25%20%15%10%5%0.. La publicité, la publicité, La publicité diminue diminue… Telle la mer qui se retire, C’est un spectacle de jazz qui s’éteint. Je rentre chez moi. Vite, J’prends mes clés!
-Benoît!-Ouais?-Benoît!-Ouais?-Qu’est-ce que tu fais?-J’suis là.-Benoît!-quoi?-Tu viens?-J’arrive!-On va s’baigner.-Attend-moi!-Benoît!-Ouais?-Tu viens?-J’arrive!-Qu’est-ce que tu fais?-J’suis là!-Benoît!-Quoi?-Tu viens?-J’arrive!-Mais tu fais quoi?-Rien.-Benoît!-Quoi?-Tu viens?-J’arrive!-Benoît!-Mais tu vas me lâcher la grappe un jour? J’arrive, c’est français non?
Letras ... Pure country / honky-tonk song about drowning sorrows. Male singer, ...Pure country / honky-tonk song about drowning sorrows. Male singer, rhythm section, fiddle, pedal steel @ 0'36, lead electric guitar 1'31 & lead fiddle @ 1'45.
BEER CHASERCHORUSBring me another beer chaser Another Bloody Mary’s goin’ down I know it might seem early But I booked the first flight out of town That baby of mine found another man And I ain’t stickin’ around So bring me another beer chaser Another Bloody Mary’s goin’ downVERSEWe came out here together Just about a year ago I was playin’ guitar at a hotel bar She was workin’ at the casino Serving drinks to high rollers Till one of them caught her eye Now she’s gone an’ hit the bi0g jackpot And I’ve gone an’ bought a ticket to flyCHORUSSo bring me another beer chaser Another Bloody Mary’s goin’ down I know it might seem early But I booked the first flight out of town That baby of mine found another man And I ain’t stickin’ around So bring me another beer chaser Another Bloody Mary’s goin’ downInstrumentalBRIDGEThey’re ready to board at gate #4 Here’s a hundred, you can keep the change I’m gonna be the last one on But I’ll sleep it off on the plane I’ll sleep it off on the planeCHORUSBring me another beer chaser Another Bloody Mary’s goin’ down I know it might seem early But I booked the first flight out of town That baby of mine found another man And I ain’t stickin’ around So bring me another beer chaser Another Bloody Mary’s goin’ down Another Bloody Mary’s goin’ down Another Bloody Mary’s goin’ down
Letras ... Country ballad. Lazy & nostalgic waltz. Male singer, pedal steel, ...Country ballad. Lazy & nostalgic waltz. Male singer, pedal steel, piano & rhythm section.
IDLE HOURVERSE There’s a place down the street
Where my friends congregate And when we sit on those bar stools We’re not alone 10 am the lights are on Beer’s cold, the whiskey’s strong And we’re drowning those memories One by one CHORUS You can meet me at the idle hour Where the juke box plays all those country songs If you’re tryin’ to hang on
To a love that’s dead and gone With too many reasons not to go back home
VERSE The neon lights are bright Even tho it’s past midnight And the band’s packed up and moved on Stare at the clock on the wall Bartender says last call And I start missin’ her most of all
CHORUS So, you can meet me at the idle hour Where the juke box plays all those country songs So if you’re tryin’ to hang on To a love that’s dead and gone With too many reasons not to go back home Too many reasons not to go back home
Letras ... Upbeat country & western love song about love betrayed. Male singer, ...Upbeat country & western love song about love betrayed. Male singer, rhythm section, pedal steel & electric guitar lead @ 1'20.
FOOL # 1
CHORUS Am I fool number 1 Or am I fool number 2 Tell me how many fools have been fooled by you Now that it’s over, tell me the truth If you’re the queen of heartaches, Am I your number 1 fool?
VERSE I spent so much time gettin’ hurt in this race I don’t want to end up in second place
CHORUS Am I fool number one Or am I fool number two Tell me how many fools have been fooled by you Now that it’s over, tell me the truth If you’re the queen of heartaches, Am I your number one fool?
Instrumental break
VERSE Set ‘em up Joe, and we’ll knock ‘em on down To the potential number one fool in town
CHORUS Am I fool number one Or am I fool number two Tell me how many fools have been fooled by you Now that it’s over, tell me the truth If you’re the queen of heartaches, Am I your number one fool? If you’re the queen of heartaches, Am I the number one fool?
Underscore. Upbeat country & western typical cue..Rhythm section, ...Underscore. Upbeat country & western typical cue..Rhythm section, pedal steel & electric guitar lead @ 1'20.
Letras ... Country & western waltz. Sentimental love story & an homage to the ...Country & western waltz. Sentimental love story & an homage to the state of South Carolina (the Palmetto state). Male singer, pedal steel, fiddle & rhythm.
SOUTH CAROLINA WALTZ VERSEIt was early spring Cherry blossoms were bloomin’ And the sun settin’ low in the palmetto sky
Sally Ann took the hand
Of Sir William Lewis And fell in love as they danced to The South Carolina Waltz
VERSE He was a sailor Who came from South Hampton From a ship building family, though we never pried Sally Ann had her man, Sir William Lewis And they danced and they swayed to the South Carolina Waltz
CHORUS We always knew
That it was forever Like the dawn of the rest of their lives From that night on, they were always together Side By Side
VERSE It was late in the fall When winter came callin’ And the sun sinkin’ low in the palmetto sky Sally Ann took the hand of sir William Lewis And they sailed off together for a late sunset ride But the autumn winds can be unforgiving And from out of nowhere their boat capsized And Sally Ann grabbed the hand of Sir William Lewis And we found them together on the shore where they died
Short Instrumental break
Now it’s early spring Cherry blossoms are bloomin’ And the sun settin’ low in the palmetto sky