Heavy rock. Punk rock. Trashy, aggressive, hard-hitting, explosive & ...Heavy rock. Punk rock. Trashy, aggressive, hard-hitting, explosive & fiery. Rock band & cinematic percussion.
Heavy rock track with a determined & fiery intro. Guitar & clapping ...Heavy rock track with a determined & fiery intro. Guitar & clapping drum. Forceful & tenacious. Suggested for extreme sports, football, basketball, tennis & soccer.
Cinematic rock & post-rock. Warlike, inexorable, stubborn, ...Cinematic rock & post-rock. Warlike, inexorable, stubborn, determined, imposing, epic & heavy. Electric guitar, drums, FX trailer & cinematic percussion. Music for extreme sport, mechanical sport & video games.
Letras ... Hip Hop / Rap. Exotic, strong, eccentric, savage & agressive. Scream ...Hip Hop / Rap. Exotic, strong, eccentric, savage & agressive. Scream @ 1'47. Male rapper, drumbeat & synth. For team sport, series, movie & highlights.
Set A Goal
I set a goal
Then I shoot
I can do it in a jersey
Or in a suit
Everywhere I go
I’ma take it to the hoop
If you aint already know
Well look now you do
Now you do
I set a goal
Then I shoot
I can do it in a jersey
Or in a suit
Everywhere I go
I’ma take it to the hoop
If you aint already know
You can watch it on the news
Heavy heavy heavy
Break the levy you aint got enough
Who the goalie man but he aint know me
But I’m charging up
Take a shot yeah then I’m ghost
He aint stopping none nah
He aint stopping none nah
He aint stopping none
Look
Heavy heavy
Break the levy you aint got enough nah
Who the goalie he don’t know me
But I’m charging up yeah
Take a shot then I’m ghost
You aint stopping none nah
You aint stopping none nah
You aint stopping none
Set a goal
Then I shoot
I can do it in a jersey
Or I do it in a suit
Everywhere I go
I’ma take it to the hoop
And if you aint already know
Well look now you do
Heavy heavy heavy
Break the levy you aint got enough
Letras ... Attitude, energetic & raw speed-rock sung in Spanish. Revealing the ...Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, distorted electric bass, male backing vocals, synth & rock band. Cut & rhythm change @ 1'55.
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second time,
the second was not
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Letras ... Full Version. Attitude, energetic & raw speed-rock sung in Spanish. ...Full Version. Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, male backing vocals, synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda, no lo sé.
Otra vez
a tus pies
como si necesitara
de ti para vivir,
fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue.
Me llamas, me dices que no es verdad,
cuando es evidente que si es verdad,
es como si por decir mil veces una mentira,
se convierte en una mentira.
No sé por qué no puedes decir las cosas como son,
por qué tener que andar tapando lo que haces,
por qué no decir las cosas como son,
por qué no decir las cosas en la cara.
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second, I don't know.
Once again
at your feet
as if I needed
you to live,
it was your fault the first time,
but the second time,
the second was not
You call me, you tell me it's not true,
when it's obvious that it is true,
it's as if by telling a lie a thousand times,
it becomes a lie.
I don't know why you can't tell it like it is,
why you have to go around covering up what you do,
why not tell it like it is,
why not say things in the face.
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Instrumental full Version. Attitude, energetic & raw speed-rock. ...Instrumental full Version. Attitude, energetic & raw speed-rock. Synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.
